Colour Integration – Brian Newell creates a dynamic relationship between light and dark. Often, when contrast is employed, the focus is about the difference, but here Newell’s focus is about integrating the light and dark. This is achieved by using dark wood (Macassar Ebony), which also contains the same hue as the light wood (Pear), and by creating dark areas on the light wood from the negative space of the pierced carving and the pulls. (Photo by Yoshiaki Kato)
With the shelf secure, get a couple of friends to come help, and stand the bench on its feet. I said earlier moving the top by yourself is dangerous. Trying to lift the entire bench is foolhardy. Of course, I already said I'm stubborn, so I did it myself by rigging a simple block-and-tackle using lightweight pulleys I got at the hardware store. (Not the lightest-weight pulleys, those are meant for flag poles and have a design load of something like 40 pounds. These had a design load of 420 pounds.)
So since more than half the book is taken up with instruction, I thought there wouldn't be enough room for 40 projects. Thing is, the projects are mostly VERY simple and functional. There really does not seem to be any sort of eye towards craftsmanship and design. And they are almost all ugly. The picture frames included are literally the ugliest I've ever seen. Obviously, style is in the eye of the beholder, but I can't be making furniture to go in my home that looks like that, and my home is Ikea, Crate and Barrel, and Bombay to give you an idea.
So drill the benchdog holes through the MDF layer. Begin by laying out their positions. You'll want these to be precise, so that the distances between the holes are consistent. The vises you are using will constrain your benchdog spacing. My front vise worked most naturally with two rows of holes four inches apart, my end vise with two pairs of rows, with four inches between the rows and eight inches between the pairs. Because of this, I decided on a 4" by 4" pattern.
If you’re looking for fresh, simple projects that have a rustic touch to them, this is the book for you. Lubkemann has a way of finding a project in just about every part of a tree; from candle-holders, photo frames and salt shakers to coat trees, lamps and a checkers set, there are projects big and small. Whether you’re looking for some gift ideas or you want the odd project to keep you busy over the winter, I’m sure you will find something here.
Editor’s note: In the September/October 2017 issue (which mails to subscribers on Aug. 1), we have an article from up-and-coming makers on the books that have influenced their work and woodworking philosophy. Below is a similar article we ran in June 2011, asking established makers what they felt were the most important woodworking books, plus we included our staff picks. I’ve linked to our store for the ones we carry, some of which are now available only as eBooks, and to those from Lost Art Press. For titles that are out of print, I recommend Bookfinder.com, or better yet, your local used bookstores. Or, ya know, the library.
While $115 may seem expensive, try accurately boring a grid of 20mm holes on 96mm centers in 3/4 MDF. I have for a table for our retirement community shop - - its a pita. Plus the MFT material seems denser and more water resistant than garden-variety MDF. And the single-thickness has proven sufficient the last several years on my original 1080s. Still dead flat.
First, we need to drill out the holes for the screws that will hold them together. While the two layers of MDF are glued, the countertop and the MDF will only be screwed. The oak countertop, like any natural wood product, will expand and contract with humidity changes. If it were glued to the MDF, the difference in expansion of the two layers would cause the countertop to buckle and curl.
What I did, when I came back, was to clamp down the strip where it had torn away, and then to start routing from the other end. I still moved the router from right to left, but I did it in six-inch sections, taking light passes, and sort of whittled the strip flush. As the sections I was working were farther to the right, the strip was thinner. Eventually I came to where I was trimming the strip away entirely, at which point I took off the clamps and the remainder fell away.
All glue & stain benches are made using a solid maple frame for lasting durability and strength. Side Clamp Benches are made specifically for bar clamps, and are used for gluing projects or clamp storage. Benches feature an open top with 17 sets of 3/4"W grooves that accept bar clamps measuring 3 and over. Lower center rail is adaptable for storage of hand screws and C-clamps. Side clamp benches are available with or without a drip pan. Glue & Stain Benches are made with a 1-1/4 plywood top covered with heavy-coated galvanized steel. Bottom shelf has a 4 rear retaining lip. Glue and stain benches are available with or without casters. Limited Lifetime Warranty.
The next day, cut it flush. Use a block plane to ensure it truly is flush. This will be the top of the bottom layer of the bench top, so gouges aren't a problem. (Wiping up glue with a damp cloth can lead to stains and finishes applying unevenly. That won't be a problem here, either.) But bulges and bumps are a problem - they will keep the two layers of the top from matching up evenly.
4. Taunton's Complete Illustrated Guide To Finishing by Jeff Jewitt. This isn't the only book on the subject, but it's a great place to start. The real strength here is the bounty of color photos, which show exactly what's happening as you finalize your projects. It discusses finishing new projects, but also repairing old finishes and matching vintage pieces. It's not a "start here, end there" walk through, so you'll need to familiarize yourself with the way it's organized before beginning a project, but it is indeed a "complete illustrated guide" with encyclopedic-like thoroughness. Belongs in every library.