Audubon Birdhouse Book: Building, Placing, and Maintaining Great Homes for Great Birds Not only does this book offer great instructions and pictures on building birdhouses, but it also teaches you what makes for a safe and successful birdhouse for our little feathered friends. Lots of tips on where to place birdhouses and how to maintain them. This book is very much focused on the bird enthusiast and not so much the aesthetics of birdhouses.
I was raised by crafty people. In every sense of the word. Just kidding! My parents were lovely people who loved to work with their hands in their spare time. For a brief period of time as a kid my mom even earned a living by selling her wares at local craft fairs, but for the most part their crafting was a hobby that filled our home with beautiful and practical pieces of woodworking.
The bench I will be describing differs from both of these in a couple of areas, the most significant of which is the top. Allen's top was made from three layers of 3/4" medium density fiberboard (MDF), topped and edged with 1/4" hardboard. Christiana's top was just two layers of 3/4" MDF. My top is two layers of 3/4" MDF edged with 1/2" oak and topped by a 1-1/2" thick edge-glued oak Ikea countertop. My top is more expensive in both time and money than either Christiana's or Allen's. If you're looking to build something fast and cheap, I'd recommend Allen's approach over Christiana's. The hardboard significantly increases the durability of the top.
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I’ve seen antique cabinetmakers’ benches that are sixteen and seventeen feet long, more than three feet wide, and supported by a dozen drawers and doors—and that weigh as much as a felled oak tree. In contrast, jewelers’ cabinets seem to be on a dollhouse scale, with tiny tools to match. For most of us, however, space limitations preclude the biggest, and the smallest are just not big enough.
The hits included Shop Tips, Woodworking: The Right Technique, Router Magic, Woodworker’s Problem Solver and the Woodworker’s Visual Handbook. Each of those books sold more than 100,000 copies because of the quality of the advice and projects. And the books still hold up well, as you can see if you view buyers’ comments on sites like Amazon, where most of the titles consistently receive 5-star ratings.
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The original design had a height of 35-1/8". Their two-layer top was 1-1/2" thick, so their legs were 33-5/8" long. I want a height of 35", but I'm using a top that's 3" thick. My basement floor is anything but level, so I'm using levelers that are adjustable from 3/4" to 1-1/2". In other words, I want legs that are around 31-3/4" long. (If you're not using levelers, your legs need precise lengths. The levelers give about 3/4" of adjustment, so precision is less necessary.
With more than 1,800 drawings, diagrams and photos, this authoritative guide encompasses the whole art and craft of woodworking. Designed to instruct and inspire every woodworker from the beginner to the most exacting expert, it has become a classic. It includes a discussion of all the principal hardwoods and softwoods, how to choose and use hand tools, detailed information on every woodworking technique–jointing, bonding, fastening, laminating, and much more.
Two for turners. Turners often develop needs and interests that are different than other woodworkers. Richard Raffan’s Complete Illustrated Guide to Turning offers one of the best overviews of the craft, as taught by a skilled artisan. As turners explore new ways to get a grip on different projects, they’ll appreciate Doc Green’s Fixtures and Chucks. This book explains how to get the most from commercial chucks, centers and faceplates and how to make your own.
Having swing in your own home, yard or garden can be so de-stressing and be relaxing a thing to enjoy, that doesn’t matter you have a big yard or patio, or vacant porch. Kids will surely fall in love with this swing porch and love playing on a breezy day. Even, adults also do relax and enjoy a quite morning coffee, or just being embraced by the sun in the swing.
The Workshop Book: A Craftsman's Guide to Making the Most of Any Work Space by Scott Landis. This is not a new book - it was written in 1987. And the photographs reflect that. But what it lacks in that flip-through-the-pictures-and-get-major-workspace-envy, it makes up for in the actual text. It provides, mostly, creative solutions for a variety of different tasks from real professionals working in limited space. If you're interested in upgrading your space or building your dream shop from scratch, this really is a good place to start. It doesn't have a ton of up-to-date and practical advice; its more of a reflection on the nature of workshops in all their variety. And that never goes out of style.
I made my version of a Roubo bench over 20 years ago. According to the latest bench rules it is too tall, too wide, has too many vises (I use both sides of my bench and that might be a no no, not sure ), and has far too many holes. Did I mention that I have a double row of dog holes with a user made dual row wagon vise? I had no idea they were called a wagon vise back then. Being a tool maker and tinkerer at heart I just made a vise that I thought at the time was an original idea for the main side. Couple of dowels in a piece of wood straddling the two rows and I have a bench stop, or a different variation gives me a 3 point clamping system. If that isn’t bad enough it also has drawers on the bottom to store seldom used tools and supplies. Maybe if it had taken me a few weeks to drill all those holes and mount a few vises I would only have one vise and 8 holes too. I dunno
“Traditional woodworking using hand tools can offer a more satisfying relationship with the wood and the creative woodworking process. It’s quieter, cleaner and maybe even a little spiritual. It’s no surprise that many “”plugged-in”” woodworkers are returning to the roots of this treasured skill. Where some hand-tool books focus solely on the use of hand tools, Made By Hand takes you right to the bench and shows you how to start building furniture using these tools.
2. Bill Hylton's Power-Tool Joinery by Bill Hylton. From the editors of Popular Woodworking magazine, this is a go-to for setting up power tools for making joinery. Organized by joint type - rabbets, half-laps, dovetails, etc - it provides detailed instructions show you how to make each joint with every tool possible. I especially like the jigs and fixtures details that show you there's definitely more than one way to skin that cat.
Assemble the vises, for the final time. You'll not be taking them off again, so tighten everything down, and attach the endplate to the ends of the screw and guide rods. Then mark and drill benchdog holes in the outer jaws inline with the benchdog holes in the top. Generally, through-holes are preferred for benchdogs, so that they don't collect sawdust and gunk. With these vises, that isn't possible, there are screws and guide rods in the way. I drilled them just deep enough to hold a Veritas Bench Pony (their reduced-height benchdog), without it sinking to where I can't get a grip to remove it. Rockler sells some very inexpensive plastic benchdogs that can't be adjusted for height, and aren't as strong as metal or wooden dogs, that I intend to keep in the holes full-time, to keep sawdust from collecting in them.
There’s a lot of space above the shelf in most closets. Even though it’s a little hard to reach, it’s a great place to store seldom-used items. Make use of this wasted space by adding a second shelf above the existing one. Buy enough closet shelving material to match the length of the existing shelf plus enough for two end supports and middle supports over each bracket. Twelve-inch-wide shelving is available in various lengths and finishes at home centers and lumberyards.
“With Hammer in Hand” by Charles F. Hummel (UP Virginia). Resurfacing like Brigadoon, the woodworking shop of the Dominy family was sealed up with the tools still on the benches and saws still sharp. Moved to the Winterthur Museum, the workshop is an open portal into village woodworking in early America. Hummel’s book takes it tool by tool, piece by piece, expanding our view with a true scholar/craftsman’s eye.
Dark colours appear heavier and create a feeling of stability, whereas light colours hold less visual weight and can appear unstable. When joining woods of dark and light colour, the visual effect of heavy and light suggest that darker woods work better when used on the bottom. A suggestion from my mentor to help getting proportions right was to spray paint mock-ups with a colour similar to the woods to be used later.
Though still straightforward in design, this bench distinguishes itself from many of its competitors with the sheer wealth of storage options. It includes two drawers of equal size with an additional drawer of double size as well as a spacious cupboard. Altogether, this provides for more storage space and organization than any other workbench we reviewed. Of course, this bench also comes with many of the same advantages and disadvantages that you would expect to see on other models within this lineup.