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If you're using drywall screws, you'll want to countersink the holes. Drywall screws are flat-head, and need a countersink to seat solidly. If you're using Kreg pocket screws, the way I did, you won't want to counter-sink the holes. Kreg screws are pan-head, and seat just fine against a flat surface. Both drywall screws and Kreg pocket screws are self-threading, so you don't need pilot holes in the second sheet of MDF.
Using shelving in your room or kitchen is a great way to arrange and de-clutter space… I know, such ground-breaking term it is. Do not write me off yet, I just want to show you how you can build some clean floating corner shelving that appears to have no brackets. You can create them at no cost, and the hardest part of the plan is figuring out what you are going to put on these shelves when you are finished.
To develop the material, we editors asked ourselves—and dozens of top woodworkers—what’s likely to go wrong at each stage of a project. We really dug deep to make sure we didn’t just repeat the types of advice you see in the average magazine. We ended up with a list of more than 500 problems covering everything from design and layout, to stock preparation, joinery, finishing and more. Then, we reached out to top woodworkers around the country for their solutions. The result was a 320-page book filled with some of the best advice you could ever find from more than 75 master craftsmen, including Marc Adams, Mike Dunbar, Graham Blackburn, Toshio Odate, David Marks, Frank Klausz and Lonnie Bird.
You are absolutely right on your advise. When I was agonizing over how to build a workbench my good friend turned me on to your book on workbenches. I was planning on having an overhang until I read your advise about building a workbench and not a table. So the entire front and rear surfaces; top, legs and bottom shelf are all in the same plane to clamp my work to. The addition of a sliding dead man was also something that I would have never thought of on my own. Thanks again for your advise.
The good news is that you don’t need a lot of shelf space to house a comprehensive collection of basic woodworking knowledge. Get started with Understanding Wood. In this comprehensive bible, professor Bruce Hoadley delves into the nature of wood and how its structure affects strength, workability, and other characteristics. He then shines a light on fundamentals like drying, machining, bending, joining, sanding, gluing, often accompanied by stunning macro photographs that zoom you in to the meat of the matter.
Many kids have the natural desire to learn about tools and make wooden objects, but as adults it’s difficult to know where or how to start teaching. Kid Crafts Woodworking starts at the very beginning, with short sections on, among other things, the properties of wood, gluing and metal fasteners. Nothing long or boring, just the basics, for a kid-length attention span. With straightforward paragraphs and clear, simple photos, the book goes on to discuss the safe usage of basic tools. Then comes the fun part – the 21 projects. Easy-to-follow instructions will guide your child through the projects, but there’s no reason why you shouldn’t be there every step of the way. Just don’t get too eager and do all the work for them … it’s their project after all.
My woodworking mentor, Robert Van Norman, studied under the esteemed woodworker James Krenov. Robert remembers many of JK’s wise words, especially “trust your eye”. When it was time for me to hear those words, I remember feeling such relief and permission to embrace my inherent perspicacity. Intuition is essential in the design and creation process, and for developing work that reflects the maker beyond his or her technical skill alone. At times, the craftsperson is called on to explain the aesthetics of his design and saying “it just feels right” doesn’t always cut it. This article covers seven common design considerations, their definition and how they are generally accepted and understood. Not only will the article help increase design vocabulary and awareness, but it may also assist in problem solving and recognizing the aesthetic strengths and weaknesses of a furniture piece.
Tools: I am inspired by tools, whether the tool is a good chef’s knife, a watercolor paintbrush or a lowly marking gauge. I find 18th-century tools particularly beautiful and elegant in their simplicity. To openly admit I am inspired by my tools makes me somewhat of a kook. But here, amongst friends, I suspect I am not alone. I’ve copied many tools in these books and sought tools that resembled these and been a happier person for it.
efore you cut your first board, you must have a design to achieve the results you're after. To create a workable design, you must understand important properties of the wood you will be using, methods for joining that wood, typical construction techniques that are appropriate for the type of project you are building, styles of craftsmanship that will enhance and compliment the environment where this project will be used, and finally how to think through and plan a project.
The latest edition of this highly regarded instructional manual. See the great reader reviews posted for the previous editions. With this book and a weekend of your time you can make a plane and learn to use it effectively. You’ll also discover a wealth of general woodworking tips and acquire a solid grounding in many fundamentals of fine woodworking. Now in its third printing, “Making and Mastering Wood Planes” by master craftsman David Finck is the definitive book in the field and a classic introduction to the art of fine woodworking.
And the fact is that you can make your own patio chair with several old but still good pallets. Here we are providing a tutorial that everybody can follow easily – it is very well-written and also self-explanatory, which is great for those who are a beginner at woodworking and have never completed a DIY project before. As you don’t need to be a professional woodworker or a handyman to complete this project, so it is not a difficult task – all you need is a bit of determination!
Originally published at the turn of the twentieth century by an anonymous “Practical Joiner,” Woodwork Joints: How to Make and Where to Use Them remains an incredibly useful and practical guide for deciding which joints to use and how to make them the right way for carpentry, joinery, and cabinet-making. Here is the carefully illustrated source on joinery that not simply a collectible classic, but also a requisite and invaluable tool that withstands the test of time, containing more useful information than any other woodworking guide. Inside are illustrated instructions for making all kinds of joints, from simple to complex, suitable for novices and experts. The comprehensive list includes joints such as glued; halved; bridle; tongued and grooved; mortise and tenon; dowelling; scarf; hinged; shutting; dovetail and many more. Instructions specify which tools are required (i.e., planes, gauges, saws, chisels, the try square for testing purposes, etc.) and how to use them on each joint. Extensive chapters on each type of joint contain precise illustrations that make identifying joints for different purposes easy. Not a word is wasted in this short but entirely comprehensive guide, making Woodwork Joints the perfect aid for any joinery project.
Skirting traditional woodworking – sometimes seemingly allergic to it – this book shows you things you didn’t think were possible with wood, and many things you wish you had thought of first. The variety of the finished pieces is wonderful and makes for a nice read. Including 89 artists in total, each brief section contains background information, inspirational thoughts and technical details on how each artist completes their work. Wood Art Today 2 covers furniture, turnings, boxes, sculptures and more. One of the things I like most about it is you can open it up to any page and start learning about a specific artist and the work they do. This one is a lot of fun.
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Before joining the top to the base, loosen the bolts and screws on the lower stretchers to create a little play in the leg posts. Align the top notches with the leg posts and tap the top into place with a hammer and piece of scrap wood, working evenly around the table until all leg posts are level with the tabletop. Tighten the lower stretchers and you’re done. A hefty thanks to Doug Merrill for this weighty idea.
Another odd design feature of the Windsor Design is its dog holes. While this bench provides a variety of dog holes and even offers numerous pegs and dowels to go along with it, the dog holes are not spaced as closely or with as much variation as you see with many other benches. Ultimately, this means that smaller workpieces may not be able to use the dog holes and pegs as well.