“With Hammer in Hand” by Charles F. Hummel (UP Virginia). Resurfacing like Brigadoon, the woodworking shop of the Dominy family was sealed up with the tools still on the benches and saws still sharp. Moved to the Winterthur Museum, the workshop is an open portal into village woodworking in early America. Hummel’s book takes it tool by tool, piece by piece, expanding our view with a true scholar/craftsman’s eye.
When this book showed up at my studio I was very sceptical. Yet another “book of everything”? But after spending only five minutes skimming through it, I learned about a couple of storage ideas my shop needed, some cool new jigs that would come in handy and a few tricks to make my time in the shop more enjoyable and productive. There will be hundreds of ideas in here you will have no interest in whatsoever, but that’s all right … there are over 650 ideas in total, so some are sure to tickle your fancy.
So since more than half the book is taken up with instruction, I thought there wouldn't be enough room for 40 projects. Thing is, the projects are mostly VERY simple and functional. There really does not seem to be any sort of eye towards craftsmanship and design. And they are almost all ugly. The picture frames included are literally the ugliest I've ever seen. Obviously, style is in the eye of the beholder, but I can't be making furniture to go in my home that looks like that, and my home is Ikea, Crate and Barrel, and Bombay to give you an idea.
After you have all the holes clean, set things up for your glue-up. You want everything on-hand before you start - drill, driver bit, glue, roller or whatever you're going to spread the glue with, and four clamps for the corners. You'll need a flat surface to do the glue-up on - I used my hollow core door on top my bench base - and another somewhat-flat surface to put the other panel on. My folding table was still holding my oak countertop, which makes a great flat surface, but I want to make sure I didn't drip glue on it so I covered it with some painters plastic that was left over from the last bedroom we painted.
Grouping George Nakashima’s The Soul of a Tree and Jim Krenov’s Worker in Wood with Nick Offerman’s Good Clean Fun might seem sacrilegious, but we like how the trio’s perspectives encompass the diverse spirit of woodworking. The older books combine photos of exceptional work with serious reflections on the nature of craftsmanship. Nick is equally passionate about wood and woodworking, but he’s more willing to admit that he’s enjoying himself–a good example for all of us to follow.
Our understanding of what makes pleasing proportion is deeply imprinted in our mind and of all the design elements is the least influenced by one’s cultural experience. Desirable proportion has long been based around ratios we see in nature with an emphasis on the human body. The “golden rectangle,” considered to be divine proportion, has been used since at least the Renaissance period in art and design and has largely influenced our common experience with architecture and design. In fact, we often don’t even see proportion until something is out of proportion.
When the shelf was full, we called the list done. The results of that debate is the list of books that follows (publishers listed are for the editions we own). It’s by no means a perfect list. It is a list that would probably change a bit if we had the debate again in a couple months. Some of these are classics, some are contemporary. But these are the books that are first in our hearts.
Pen Turner’s Workbook. If you’ve followed my blog for long, you already know that pen turning is my favorite woodworking hobby. Barry Gross is a superstar in the pen turning world, and his pens speak volumes on his craftsmanship and creativity. If you want to learn the basics of pen turning, or if you want to learn some advanced techniques, this book will not disappoint you. He takes you step-by-step through the pen making process, and the book’s photography is phenomenal.
Another odd design feature of the Windsor Design is its dog holes. While this bench provides a variety of dog holes and even offers numerous pegs and dowels to go along with it, the dog holes are not spaced as closely or with as much variation as you see with many other benches. Ultimately, this means that smaller workpieces may not be able to use the dog holes and pegs as well.
Cabinetmaking at the highest level is an art, a discipline, a philosophy–even a way of life–in addition to being a useful craft. In this book one of the greatest living cabinetmakers reflects on the deeper meanings of his craft and explains for less accomplished workers how the right attitudes toward materials, tools, and time can increase the joys of this complex activity. Craftspeople in every medium will be inspired by this account of getting started and developing habits that lessen the difficulties of a complex craft.
Having done all this, I'm not sure I'd do it this way again. It might well be faster to layout the positions with compass and straightedge directly onto the top. Either way, you'll want to use a scribe rather than a pencil. Scribe lines are hard to see, and impossible to photograph, but the scribe and compass points click into them, allowing a precision that pencils simply cannot match.
While our website has the most comprehensive list of all of our tools, sometimes it's nice to flip through the pages of a good old fashioned catalog. This contains only our most popular permanent products that we manufacture just outside of Cleveland, OH. We will be happy to send you one at no charge. Just click the order button below so we can get the address you would like it sent to.
1. Cabinet Making and Millwork by John L. Feirer. I read this book cover to cover when I first got into woodworking, and its still my number one reference book when researching a project or technique. I believe it was intended as a textbook for a high school shop class, so it's laid out in great 101 style. It includes descriptions of everything from how sandpaper is made to best practices for shop math, and provides details for both hand and power tools.
Watching all of these crafters for the past few weeks has not only been the highlight of my week, but it has inspired me to learn more about crafting and explore my own creativity through their different mediums. Inevitably, I fell down an internet rabbit hole of research and excitement (including Kristen McQuinn’s piece on Books About Traditional Crafts) and found myself enthralled by what I found on the craft of my childhood, woodworking.
While a strict figure for the bench’s weight capacity is not available, a quick browse through their other stand and bench products shows a general weight capacity well above most other brands. As such, while we cannot say for certain that this bench provides the best weight capacity, it is more than likely that it the capacity is similar to the other products in the catalog.