My bench is MY BENCH. In other words, it’s a thing of evolutionary beauty. I built the top 10 years before deciding on and designing the base. I spared no absurdity. It is supremely stout and the much maligned drawers are accessible from either side. The larger drawers have dust lids and can be extended to provide support for large workpieces or as a step for climbing on top of the bench. The top alone weighs more than most Roubos. So NYAH! Did I mention that I designed it to fit in with the Arts & Crafts vernacular? Who said you can’t build your bench to be furniture? Beautiful as well as useful shop furniture? Just sayin…
I clamped the top to the side of the base, as I had done before, so that the edge with the knot would be easy to work with. I mixed up some ordinary five-minute epoxy and added just a touch of black epoxy pigment. I applied this freely. After about twenty minutes I checked on it and found that in the deepest spot the void wasn't entirely filled, so I mixed up another batch and added more. After that had cured for a bit I eased the top to the floor and applied a coat of oil to the bottom side. I planned on attaching the base to the top the next day, and I wanted the bottom side oiled to keep it from absorbing moisture.
For the most part, furniture restorers/refinishers/conservators in the United States lack the necessary hand-tool skills to do proper wood repairs. But avid readers of Popular Woodworking Magazine do possess the skills. Like me in the 1970s, you just need instruction on how to go about it. These books provide this. They greatly influenced the techniques I use in my shop, and many are shown in the “Repairing Furniture” video/DVD I made for Taunton.
When the holes were complete, I flipped the legs and drilled the countersinks with a 1" Forstner bit. Trying to drill a countersink when the center was already drilled would be impossible with a spade bit or an auger, but Forstner bits are guided by their edges, not their center, so they can handle this job. On thing about Forstners, though -- they have a tendency to skitter around a bit when starting, before they bite. An easy fix for this is to drill a hole through a piece of ply, and to clamp that to your work, creating a jig that will prevent the bit from drilling in the wrong spot.
Begin by cutting off a 10-in. length of the board and setting it aside. Rip the remaining 38-in. board to 6 in. wide and cut five evenly spaced saw kerfs 5/8 in. deep along one face. Crosscut the slotted board into four 9-in. pieces and glue them into a block, being careful not to slop glue into the saw kerfs (you can clean them out with a knife before the glue dries). Saw a 15-degree angle on one end and screw the plywood piece under the angled end of the block.
As with most websites, we do log web visits. This information, however, does not have a link to you personally. These logs help us understand the needs of our audience and the areas of our site that you do or do not find useful. When you simply browse our site, no personal information is being collected. We may disclose this non-personal information to third parties such as sponsors, clients or advertisers.
The Handbuilt Home. Ana White has created a wonderful DIY book. It’s filled with 34 projects she describes as simple, stylish, and budget-friendly. And you’ve probably already guest that they are related to improving your home. Each project has diagrams and instructions. And she tells the level of difficulty and project costs. This book resonates with many readers who want to make things themselves, but they may not have the fancy tools or the budget. Ana shows you how to make beautiful and affordable DIY projects.
My woodworking mentor, Robert Van Norman, studied under the esteemed woodworker James Krenov. Robert remembers many of JK’s wise words, especially “trust your eye”. When it was time for me to hear those words, I remember feeling such relief and permission to embrace my inherent perspicacity. Intuition is essential in the design and creation process, and for developing work that reflects the maker beyond his or her technical skill alone. At times, the craftsperson is called on to explain the aesthetics of his design and saying “it just feels right” doesn’t always cut it. This article covers seven common design considerations, their definition and how they are generally accepted and understood. Not only will the article help increase design vocabulary and awareness, but it may also assist in problem solving and recognizing the aesthetic strengths and weaknesses of a furniture piece.
This super-strong and simple-to-build workbench is may be the project you've been looking for a long time. You have to select some free workbench plans to create yourself a working table in your shed that after you can use it when you are working on your projects and maybe it can provide you some extra storage, depends upon which plan you are choosing to DIY.
In order to complete your transaction, we will share the name, billing and shipping address and other order information associated with your purchase with the publisher or magazine vendor. Your name and address will also be shared with a circulation-auditing organization. We may share your e-mail with the publisher, but you can control how it will be used in Subscription Manager. We will not share your credit card information. Offers on this page are introductory. See Details.
Woodworking Business is an informative, common-sense-based book that may answer many questions for the amateur woodworker who is considering going professional. This is not a gorgeous book. It doesn’t have glossy photos or beautiful graphic design. What it does offer is practical, down-to-earth tips while forcing you to consider the toughest question of all: Is running your own business right for you? Chapter topics include Setting Prices, Contracting Jobs, Getting Help and Everyday Lessons. Although it’s written from an American perspective, most of the information is pertinent to a Canadian reader.
I am surprised the the Hand and Eye combo by Tolpin didn’t make anyone’s list. I have also really found Chris Schwartz’s Anarchist’s design book very useful. Everything else that I really like is already in here somewhere; Moxon, Roubo, Estonia, Peart. The beginners book by Wearing is excellent, and I have taken to giving it to Eagle scouts at their Eagle Courts of Honor of late. (with an inscription about taking the raw stuff of life and developing the skills and tools to make from it what you need…); cheesy, I know, but it is a really good book to start folks off with.
To develop the material, we editors asked ourselves—and dozens of top woodworkers—what’s likely to go wrong at each stage of a project. We really dug deep to make sure we didn’t just repeat the types of advice you see in the average magazine. We ended up with a list of more than 500 problems covering everything from design and layout, to stock preparation, joinery, finishing and more. Then, we reached out to top woodworkers around the country for their solutions. The result was a 320-page book filled with some of the best advice you could ever find from more than 75 master craftsmen, including Marc Adams, Mike Dunbar, Graham Blackburn, Toshio Odate, David Marks, Frank Klausz and Lonnie Bird.
For one, the bench itself is a good size. While its width as a tad short at just over 1 ½’, the length is a great 5’ long. Even better, this bench is made out of birch wood. Birchwood is similar to beech in that it is strong but soft enough to prevent inadvertent dulling of your tools. However, birch has a bit of an advantage over beech in that it is not a porous which makes staining on the Windsor Design a more worry-free affair.