This book is a solid book and much more than I would of imagined. I was thinking ok 40 plans cool. They go into detail on each plan. They give accurate measurements, pictures, times for each stage of a project, list of tools, wood, and anything else you need to complete each project. This book goes so far to even show you how to setup your own project and draft it and gives you a list of what you might need to draft out a project. I would say this book is good for anyone from Novice to Advanced. It is just a great read as well.
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Tom Fidgen, a regular contributor to our magazine, works only with hand tools, so he has a slightly different way of looking at a project – and an honest respect for good, old-fashioned hard work. He seems to appreciate the small things in woodworking, gaining great satisfaction from a smoothly planed surface or a strong mortise and tenon joint, and it rubs off. Made by Hand takes the reader through the entire process of making six different projects with nothing but hand tools. He talks a lot about the philosophy behind his style of working and how you can bring some of the simple life into your next project. He doesn’t hit you over the head with electricity guilt – he realizes that balance is what most people ought to strive for. Tom’s welcoming, open writing style is also a nice surprise. It’s almost like you’re having a conversation with him right in your living room, discussing what really matters in woodworking.
While $115 may seem expensive, try accurately boring a grid of 20mm holes on 96mm centers in 3/4 MDF. I have for a table for our retirement community shop - - its a pita. Plus the MFT material seems denser and more water resistant than garden-variety MDF. And the single-thickness has proven sufficient the last several years on my original 1080s. Still dead flat.
You may even want to put yourself in the picture. If your workshop space already exists, find a large piece of cardboard, wallboard, or plywood that’s about the size of the workbench top you envision. Find a couple of stools or chairs, perhaps a few books, and turn them into stanchions to support the “benchtop.” Is it too big for the space? Is it large enough for the tasks you envision will be performed upon it?
You are absolutely right on your advise. When I was agonizing over how to build a workbench my good friend turned me on to your book on workbenches. I was planning on having an overhang until I read your advise about building a workbench and not a table. So the entire front and rear surfaces; top, legs and bottom shelf are all in the same plane to clamp my work to. The addition of a sliding dead man was also something that I would have never thought of on my own. Thanks again for your advise.
Begin by cutting off a 10-in. length of the board and setting it aside. Rip the remaining 38-in. board to 6 in. wide and cut five evenly spaced saw kerfs 5/8 in. deep along one face. Crosscut the slotted board into four 9-in. pieces and glue them into a block, being careful not to slop glue into the saw kerfs (you can clean them out with a knife before the glue dries). Saw a 15-degree angle on one end and screw the plywood piece under the angled end of the block.
If the holes of the first jaw are in the proper position, drill holes in the same locations on the other jaw. I lined the drilled jaw on top of the undrilled jaw, clamped things down, and then drilled about 1/4" into the undrilled jaw, to mark the location. Then I removed the drilled jaw and drilled out the marked locations the same way I did the first.
Cut 15 top boards 5 ft. long and rip them to 3 in. wide with a table saw so the top will glue up flat without the typical rounded edges of 2x4s. For the leg slot, cut two of the top boards into three pieces: a 39-in. middle piece and two 7-in. end pieces. Glue and screw the top together, one board at a time, with 3-in. deck screws, keeping the ripped edge facing up and level with the adjoining boards. Use a corded drill so there’s plenty of oomph to drive each screw below the surface. Note that the third glue-up from each end is where each leg notch is inserted. You can also create a nifty tool tray in the top by notching the three top pieces with a jigsaw. Clamp every 8 in. or so before driving in the 3-in.deck screws. Predrill the screw holes near the ends to prevent splitting. When you’re screwing on the 7-in. long 2x4s to create the leg slots, use a scrap piece of 2×4 as a spacer.
Great advice. May I add #11?…if you’re left handed (like me), build a left handed bench. It sounds obvious, but when I made my bench, I had looked at all the pictures in my books, laid out plans for a nice, traditional bench, built it, then realized my front vise should have been on the other end (I have no tail vise). I plane from left to right, and the front vise is always in the way.
The Real Wood Bible I love to pull this book off my shelf from time to time and learn about different characteristics of a certain wood. What’s the wood used for? How easy is it to turn? Toxicity? It’s a very useful book with lots of great photos. Let’s say you have a piece of wood you need to identify. The photos are very crisp and defined so you can match a wood you possess to one found in the book.
When the shelf was full, we called the list done. The results of that debate is the list of books that follows (publishers listed are for the editions we own). It’s by no means a perfect list. It is a list that would probably change a bit if we had the debate again in a couple months. Some of these are classics, some are contemporary. But these are the books that are first in our hearts.
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Contrast is created when you have two or more related elements that are different. Contrast can be used to add visual interest, depth and to highlight a dominant element. It is also a way to unite a piece and often bestows energy to a design. If there are too many contrasts or the differences are too severe, there is risk they will not only compete for attention, but may also create unbalance, confuse the viewer and create optical illusions. To achieve success with contrast, ensure the differences are obvious enough, but without an overpowering presence. Each design element mentioned in this article can be manipulated to create contrast. Each of the images not only relate to the corresponding element but also exhibit contrast.
Before joining the top to the base, loosen the bolts and screws on the lower stretchers to create a little play in the leg posts. Align the top notches with the leg posts and tap the top into place with a hammer and piece of scrap wood, working evenly around the table until all leg posts are level with the tabletop. Tighten the lower stretchers and you’re done. A hefty thanks to Doug Merrill for this weighty idea.
Woodworkers like books. Maybe it’s because they’re somehow still a wood product, but let’s face it, they travel into the shop well, offer great how-to instruction with pictures and words, and you can make notes in the margins if you like. Our fine woodworking books cover all the topics for which you’re looking: furniture plans; hand tool techniques; shop projects; wood finishing advice and much more.
In terms of size, this bench is another Sjobergs that is a bit on the small side, though it is actually far more squared than some others. While its length is a bit disappointing at 54″, the width is over 24″ wide which does provide for more diverse projects. Even better, this product still features the incredibly 500-pound weight capacity and continues the Sjobergs trend of avoiding joints that are not as durable as they otherwise could be.