I clamped the top to the side of the base, as I had done before, so that the edge with the knot would be easy to work with. I mixed up some ordinary five-minute epoxy and added just a touch of black epoxy pigment. I applied this freely. After about twenty minutes I checked on it and found that in the deepest spot the void wasn't entirely filled, so I mixed up another batch and added more. After that had cured for a bit I eased the top to the floor and applied a coat of oil to the bottom side. I planned on attaching the base to the top the next day, and I wanted the bottom side oiled to keep it from absorbing moisture.
If you’re even the slightest bit interested in the history of Japanese furniture, you will love this thorough collection of chests. The attention to detail is astounding, the photographs glorious and the historical insight intriguing. This is exactly what you would expect from a book that covers such a proud history of chest making on the land of the rising sun. Almost 100 pages of colour plates are complemented by information on typical construction materials, finishing techniques and regional characteristics. This book will please the antique collector, interior designer or woodworker equally.
I made a template by scribing two adjoining squares on a piece of MDF, using compass and straightedge, then marking each corner with a centerpunch, then drilling the points with a 1/16" bit. I find I'm always breaking small bits, so I picked up a couple of each size some months ago, and on looking I found I had three 1/16" bits, which worked fine for what I intended.
Of course, I, on the other hand, with my Ikea oak countertop, probable went overboard in the other direction. Since I needed to trim the countertop to width,I figured I'd take off a couple of 1/2" strips to use for edging the MDF. I clamped the countertop to my bench base, and used the long cutting guide. I'd asked around for advice on cutting this large a piece of oak, and was told to try a Freud Diablo 40-tooth blade in my circular saw. I found one at my local home center, at a reasonable price, and it worked very well.
The top is supported by the top ends of the legs and the top sides of the top stretchers. Stand your legs on end on a flat surface (like my door) and see if they wobble. If you have an end that isn't quite stable, use it as a foot, where the leveler will make it's flaws unimportant. Check the top edge of each stretcher for straightness. If one has a bit of a bow, use it for a lower stretcher. It's less critical that the shelf be well supported along its length.
1. Cabinet Making and Millwork by John L. Feirer. I read this book cover to cover when I first got into woodworking, and its still my number one reference book when researching a project or technique. I believe it was intended as a textbook for a high school shop class, so it's laid out in great 101 style. It includes descriptions of everything from how sandpaper is made to best practices for shop math, and provides details for both hand and power tools.
The person who coined the saying, “The more things change, the more they stay the same,” just might have been a woodworker. Admittedly, new tools and materials have made certain operations faster, safer, and easier, but if a woodworker from the 1900s could visit your workshop, he’d have a tougher time with the K-cup coffeemaker than the table saw. That’s because the basic tenets and tools of woodworking are almost timeless.
A bewildering variety of tools, clever marketing copy, and lack of knowledge can lead even the most determined new woodworker to make many unnecessary purchases, causing frustration or retreat. Written for true beginners, Your First Shop offers inspiration and encouragement, guiding readers toward smart tool choices by providing realistic, reliable information. Best-selling author Aimé Ontario Fraser started working with wood in high school, and has taught extensively in workshops and classes since. Your First Shop brings that experience to readers. Woodworkers of every taste can find a shop style that works for them in one of the book’s four sections: The Essential Shop, The Basic Shop, The Efficient Shop, and The Well-Rounded Shop. Topics include how each tool is used and what it is used for. The book also offers extensive advice on choosing a location for the shop, maximizing available space, and planning for future expansion.
In ancient times, the woodworker’s bench consisted of a plank or split log with four splayed legs. Descendants of those benches are manufactured today, usually with a top of hardwood slabs glued together. The norm nowadays is four straight legs supporting the bulk above, often with braces and a shelf below. Despite the improvements, the linkage to Greek and Roman antecedents is still evident.
Then I flipped the top and the base, lied up the base in the proper location relative to the top, I then positioned the front vise and the support MDF for the end vise, and marked the locations of the bolt holes. Then I flipped the base right side up, drilled small pilot holes from the bottom side where I had marked the locations, and then drilled shallow countersink holes from each side, then a through hole that matched the bolts. Finally I tried out the bolts and washers, and deepened the countersinks until the heads of the bolts were just below flush.
Having swing in your own home, yard or garden can be so de-stressing and be relaxing a thing to enjoy, that doesn’t matter you have a big yard or patio, or vacant porch. Kids will surely fall in love with this swing porch and love playing on a breezy day. Even, adults also do relax and enjoy a quite morning coffee, or just being embraced by the sun in the swing.
Grouping George Nakashima’s The Soul of a Tree and Jim Krenov’s Worker in Wood with Nick Offerman’s Good Clean Fun might seem sacrilegious, but we like how the trio’s perspectives encompass the diverse spirit of woodworking. The older books combine photos of exceptional work with serious reflections on the nature of craftsmanship. Nick is equally passionate about wood and woodworking, but he’s more willing to admit that he’s enjoying himself–a good example for all of us to follow.
One quality about this bench that is definitely lacking is space – both tabletop and storage. The Olympia Tools does provide an adequate shelf, but it does not come with any drawers, nor does it offer the option of adding them later. The table top is the smallest we saw at 50” long and 2’ wide, though the width is actually better than most of the other table we reviewed. Still, a significant chunk of that width is occupied by a trough. This trough is designed to hold smaller workpieces to keep them from falling or getting knocked over, but it removes about 6” of width from the tabletop.
You can bookend my 30 years of woodworking with two volumes. Roy Underhill’s “The Woodwright’s Shop: A Practical Guide to Traditional Woodcraft” (U of North Carolina P) marks the beginning. Today, Steven W. Semes’ “The Architecture of the Classical Interior” (Norton) makes sense of all the conflicting mishmash of “design speak” tossed about. Hope I have another 30 years in me so the Semes book will someday be a midway milepost in a long, rewarding journey.
2 - use a plunge router with a bottom bearing cuter bit such as this from rockler: http://www.rockler.com/product.cfm?page=25160&site=ROCKLER .... I thought to use the short one as I plunge it directly downward in the centre of the hole until the bearing reaches within the tabletop hole. I suppose one could use a long one, but the stubbiness seemed more practical (the big bearing ensured accuracy?)
Dark colours appear heavier and create a feeling of stability, whereas light colours hold less visual weight and can appear unstable. When joining woods of dark and light colour, the visual effect of heavy and light suggest that darker woods work better when used on the bottom. A suggestion from my mentor to help getting proportions right was to spray paint mock-ups with a colour similar to the woods to be used later.
Drilling a precisely positioned, deep, wide hole isn't easy, without a drill press. So I bought a WolfCraft drill guide. After experimenting with it, and drilling some test holes, I build a jig around it. I screwed it to a scrap of MDF, and then drilled a carefully-centered 3/4" hole. The MDF can be clamped more easily than the base itself, and the 3/4" hole will keep a 3/4" Forstner bit drilling precisely where it is supposed to.
Tools: I am inspired by tools, whether the tool is a good chef’s knife, a watercolor paintbrush or a lowly marking gauge. I find 18th-century tools particularly beautiful and elegant in their simplicity. To openly admit I am inspired by my tools makes me somewhat of a kook. But here, amongst friends, I suspect I am not alone. I’ve copied many tools in these books and sought tools that resembled these and been a happier person for it.
Build this handy stool in one hour and park it in your closet. You can also use it as a step to reach the high shelf. All you need is a 4 x 4-ft. sheet of 3/4-in. plywood, wood glue and a handful of 8d finish nails. Cut the plywood pieces according to the illustration. Spread wood glue on the joints, then nail them together with 8d finish nails. First nail through the sides into the back. Then nail through the top into the sides and back. Finally, mark the location of the two shelves and nail through the sides into the shelves. Don’t have floor space to spare? Build these super simple wall-mounted shoe organizers instead!